The Netherlands Film Festival and the Netherlands Film Fund are the initiators of four awards recognising box office achievements in the Netherlands. The awards are intended to generate positive publicity for a film when the media attention for the film's release has stopped.[8] The Golden Film is awarded to films once they have sold 100,000 cinema tickets, the Platinum Film at 400,000 tickets, and the Diamond Film at 1,000,000 tickets. The Crystal Film is for documentary films from the Netherlands and is awarded once the film has sold 10,000 cinema tickets.
A decline in cinema admission set in after the 1970s. Director Dick Maas, making studio-style action-thrillers such as De Lift (1983) and Amsterdamned (1988), was about the only filmmaker having mainstream success in this period. He topped the box office charts with his dysfunctional family comedy Flodder (1986) and its sequel Flodder in Amerika (1992), the latter getting nearly one and a half million admissions, making it the most successful Dutch film since the introduction of the VCR. Some more artistic directors, such as Jos Stelling, Orlow Seunke and Alex van Warmerdam made magic realism movies. Other auteur-directors emerged during this era as well, including Theo van Gogh, Ate de Jong and more recently Cyrus Frisch. In this decade, acclaimed director Fons Rademakers won an Academy Award for Best Foreign Film with 1986's The Assault.
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In the 1980s and 1990s few other Dutch actors had the international success of Hauer and Krabbé. Their contemporaries Monique van de Ven, Derek de Lint, Renée Soutendijk and Huub Stapel all returned to making Dutch films when their Hollywood-efforts proved disappointing. Actress Van de Ven of Turkish Delight-fame moved to the US with her then-husband Jan de Bont and appeared in a number of small American films, to no significant success. De Lint's booked guest appearances in various TV shows like NYPD Blue and The L Word, and a number of supporting roles in theatrical movies, of which the most prominent was The Unbearable Lightness of Being (1988). Soutendijk played the female lead in Eve of Destruction (1991) and Huub Stapel, star of all of Dick Maas' box office hits, had a supporting role in a 1988 TV-movie about Anne Frank.
Behind the scenes, cameraman Theo van de Sande, born in Tilburg, has made an impressive CV filming big budget films, having shot films such as Cruel Intentions and Blade, after he previously had a worthy career in his native country. Other Dutch individuals with international credits include Hollywood sound designer Charles Deenen; Oscar-winning director Marleen Gorris who made a number of international productions including the 1997 adaptation of Mrs Dalloway and currently works on several British productions; DJ and composer Junkie XL who wrote additional music for Ridley Scott's Kingdom of Heaven and scored the action film DOA: Dead or Alive; Sylvia Kristel, most famous for her role as Emmanuelle in a series of softcore movies, also appeared in a large number of lesser known American (TV-)movies, of which The Nude Bomb, a feature film adaptation of the TV-series Get Smart is probably the most notable. Kristel briefly appears as Agent 34; an established cinematographer in the alternative film scene, Curaçao-born Robby Müller has repeatedly worked with Wim Wenders, Lars von Trier and Jim Jarmusch; a director at the start of his career, Kees van Oostrum has moved to US to become a prolific cinematographer on various TV-movies and miniseries; two-time Academy Awards nominated production designer Jan Roelfs, who worked with Andrew Niccol and Oliver Stone; George Sluizer, who made an American remake of his popular culthit Spoorloos and currently works mostly on pan-European co-productions, will make a US-comeback with the Rob Schneider-comedy The Chosen One (2009); cameraman Rogier Stoffers, who shot a number of US box office hits in the 2000s, most notably Disturbia; tall man Carel Struycken, whose physique landed him the parts of Lurch in Barry Sonnenfeld's The Addams Family films and The Giant in Twin Peaks; Jany Temime was costume designer on the last three Harry Potter films, In Bruges and Children of Men; Arjen Tuiten, a special make-up effects artist working for the Stan Winston Studio, with Pan's Labyrinth as one of his prominent credits; Dutch born costume designer Elsa Zamparelli, who received an Oscar nomination for Dances with Wolves.
An action film based on the novel I, Alex Cross by James Patterson, this Rob Cohen-directed film (starring Tyler Perry as the titular character) was, unfortunately, a box office bomb. Nevertheless, Bali had its part in the movie, with the visually striking stony coast of Jasri village in Karangasem, East Bali as among its exotic filming locations, along with 35 local crew and 20 local extras as police.
Ultraman SagaInformationStarringDaigo NaitoTakeshi TsurunoTaiyo SugiuraRelease Date(s)March 24, 2012Country of OriginJapanLanguageJapaneseRunning Time90 minutesDirected byHideki OkaProduced byTsuburaya ProductionsWritten byKeiichi HasegawaMusic byFumio HaraCinematographySou TakahashiEditing byAkira MatsukiDistributed byShochikuContinuityPreviousNextUltraman Zero Gaiden: Killer the BeatstarUltra Zero FightProduction/ReleasePreviousConcurrentNextUltraman Zero Gaiden: Killer the BeatstarUltraman RetsudenUltra Zero FightUltraman Saga (ウルトラマンサーガ Urutoraman Sāga) is a Japanese tokusatsu film in the Ultraman Series, created to celebrate the franchise's 45th anniversary. It serves as a sequel to Ultraman Zero The Movie: Super Deciding Fight! The Belial Galactic Empire. The movie features Ultraman Zero, Ultraman Dyna and Ultraman Cosmos facing a new ultimate threat, Hyper Zetton (ハイパーゼットン Haipā Zetton), who was created by the evil Alien Bat, and a new Ultraman named Ultraman Saga (ウルトラマンサーガ Urutoraman Sāga).
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